If you’re interested in finding out what anime characters you share a birthday with, go here! The page is in Japanese, but it’s easily navigable.
First, select the month in green.
That’ll redirect you to a page where you click the day.
And then you’ll have your list! It provides romanized versions of names and the series the character is from, so even if you can’t read Japanese, you’ll be fine.
For example, I share a birthday with Sailor Saturn. Cool, right?
[I put Claire Temple there because she is the only nurse on TV that I’ve seen that actually acts like a nurse. Like, she breaks scope of practice all the freaking time, and there was that little incident where she abandoned her patients without telling anyone, but in Daredevil S1E2, I was thoroughly convinced of Rosario Dawson’s nurse status. And that’s saying something, cause you all know I’m picky.]
Nursing publicity actually sucks (see chapter 21 of this textbook), so here are some fun facts to get you thinking in the right direction when you’re writing, reading, or otherwise applying your knowledge of the nursing profession in a creative way:
1. Nurses treat reaction to disease. Literally
our job is to assess and treat the reaction a person has to a disease process,
or what impact a disease has on a person physically (are they in pain? having
trouble breathing? can’t walk?), mentally (does a disease process alter how
they think, their quality of life?), emotionally (are they devastated by a
prognosis? depressed by their inability to act as they used to?) and spiritually (what is their relationship
with their belief system? has it changed in response to disease? how do they
feel about that?). In contrast, a
physician treats the disease itself.
2. Nurses have a system of diagnosis and care
planning that is unique from that of a physician. Medical
diagnosis of course is taken into consideration when treating a patient and
planning care, but remember that we are treating a reaction to a disease process, and so our diagnoses are those reactions. Some examples include:
Sleep deprivation
Impaired gas exchange (difficulty breathing)
Decreased cardiac output (less (or too little) blood getting out of the heart)
These are usually written as part of a larger
“Diagnosis Statement” which goes something like this: “Impaired gas exchange
related to bronchospasm as evidenced by expiratory wheezing, abnormal blood
gases, patient statement of ‘I can’t breathe’ and medical diagnosis of acute
asthma exacerbation.” Nurses then plan and carry out interventions to improve
the patient’s condition. Often, this goal coincides with the physician’s plan
of care, and a nurse can ask a physician for orders if they feel the patient
needs something that requires such an order.
3. There are different “levels” of nursing.
These are:
Nurse Aide (NA or UAP): 2 weeks-3 months of training. Nurse Aides carry out patient care activities such as bathing and dressing, they can measure patient intake and output, take vital signs (depending on facility), take blood sugars (depending on facility), remove IVs and Foley Catheters and do other duties as assigned by the Registered Nurse or Licensed Practical Nurse they work under. Must have passed either
State Licensure or a facility-based training program.
Licensed Practical Nurse (LPN): 1-1.5 years of training. These are starting to go out of style and mainly found either “grandfathered in” in hospital settings or working as supervisors in nursing homes. In addition to all things listed above, they can do a full assessment and basic nursing interventions, including placement of IVs an Foleys, pass (most) medication, collect samples for testing, take health histories, supervise Nurse Aides, and other duties as assigned by a Registered Nurse. LPNs must have taken and passed national licensure (NCLEX-PN in the USA).
Registered Nurse (RN): 2-4 years of training, usually with an accompanying associates’ or bachelors’ degree. Registered Nurses can do all of the above, as well as administer all medications, do full range of IV therapy, write and make plan of care for nursing diagnoses, follow ACLS protocol (without deviation), do nursing research and supervise LPNs and NAs. Training for RNs focuses a lot more on critical thinking and research skills. RNs must have taken and passed national
licensure (the NCLEX-RN in the USA). This is generally what people think of when they think of a nurse.
Clinical Nurse Specialist (CNS): 6-8 years of
training. CNSs are masters’ or doctoral prepared nurses who specialize in
one area or population, usually in the inpatient hospital setting (though some specialties practice in community or mental health settings). They
provide higher-level care in their specialty and are able to perform
procedures outside an RN’s scope of practice. CNSs also teach, supervise
and conduct nursing and medical research within their specialty. CNSs have either extremely limited or no prescriptive privilege (they can’t prescribe medication).
Nurse Practitioner (NP): 6-8 years of training (minimum Doctor of Nursing Practice (DNP) degree by 2030). NPs can often practice independently in a primary care capacity (varies by location),
and have a broader scope of practice than a CNS. In a primary care
capacity, they can prescribe medication, do office-level medical
procedures and refer to specialists. NPs also do research, teach and
supervise nurses in hospital and long-term acute care facilities.
4. Nurses are expected to question
orders and advocate for their patients. We are the end-point of all orders and
the last line of defense before an order hits a patient in a hospital setting. In
the USA, a nurse is legally responsible for questioning orders and may choose
to hold an ordered medication or intervention if they think it will harm the
patient (we do have to immediately call the physician and ask for another
order, but we can do it).
5. Nursing is applicable in
extremely diverse fields that have nothing to do with clinical nursing care. For example, there are:
Forensic Nurses, who collect
evidence from victims of crime
Nurse Advocates, who are
practicing lawyers who also hold degrees in nursing
Nursing Informatics Specialists,
who design computer systems and technology applicable to nurses and healthcare
Insurance Nurses, who work as
liaisons between the insurance industries and patients
Nurse Administrators, who work
the business end of healthcare
Very nice. As someone whose mother was an RN, and whose sister is a nurse practitioner, this sounds like everything they would ever want from a writer trying to write about real world nursing practices. The only stuff I see that’s missing is being an educator, which my mother did for a while in our public school system teaching Allied Health. Or being an actual school nurse, which my sister-in-law did for a while. Or being a preceptor who trains and mentors new nurses, like my sister did for a while.
While you are worrying about whether beta readers will steal your ideas, there is a more genuine threat on the horizon.
When offered a publishing contract, please do all your research before you sign. There are a number of fakes and scammers out there, as well as good-intentioned amateurs that don’t know how to get your work to a wide audience. I won’t tell the heartbreaking stories here – there are too many.
Being published badly is worse than being never published.
It can destroy your career and your dreams.
The quick check is to google the publishing house name + scam or warning.
But, to be sure, check with these places first. They aren’t infallible (nothing is) but they can help you protect yourself. They are written and maintained by expereinced writers, editors, publishers and legal folks.
This is really important, so if you are a writer or have writer friends, or you are a writing blog, please reblog it.
Just to let you know, PublishAmerica changed their name to America Star Books.
HEAD’S UP, WRITER TYPES: THIS IS AN IMPORTANT PSA!
Also applies to many so-called freelance sites that are just content mills, and may not pay unless your work is used, even if the contract seems designed otherwise.
Listen, reading these is like legit reading horror stories. When it comes to publishing your writing, always, always, ALWAYS do your research. Not only will it help you avoid scams, but it will also be likely to help you land a much better fit for an agent/publisher/whatever. Knowing more is never going to hurt.
Omg!!! Thanks for the warning! Writers— reblog!
I’ve heard stories like this that are scarier than horror stories. This is an all time worst nightmare for a writer. Everyone reblog and make sure you keep your work safe!
Reblogging again for the links. Also check pred-ed.com and the Absolute Write forum. Then google Publisher’s name + scam and see what comes up. Do NOT use the BBB ratings, they are wholly unsuitable for rating publishers and regularly give A ratings to well-known publishing scams. You can also read my own post on publishing scams, have a link on the left of my blog ( can’t link here, I’m on mobile, sorry).
Equally important to know is that you can SELF-PUBLISH through a number of platforms these days. @ean-amhran and I used Amazon’s CreateSpace and Kindle Direct Publishing to publish both of our books. No editors, no contracts, no finagling with publishers who want to change your materials. Just direct-to-market material.
(Granted, it means you’ve got to do a LOT more work yourself with editing and formatting and cover art, but it’s worth it to miss the headache of trying to bargain with publishing houses or avoid scams.)
Be vigilant, fellow writers!
If you choose to self publish then HAVE A PLAN and think things through.
And hire an editor. Please, for the love of all that is holy, hire an editor. It’s expensive, but you will get a better book out, a better reputation…
If you’re going to publish electronically, make sure you also get someone who can LAY AN EBOOK OUT PROPERLY.
I have spent money on Kindle books, many of them reprints of older works, whose formatting is so messed up as to render them unreadable.
I actually recommend using the Smashwords Style Guide even if you don’t use Smashwords.
It lays out how to neatly format an e-book in a wonderful step by step format, and you can get it free from Smashwords. Just leave off the couple of things that are (very obviously) Smashwords specific.
If you can’t stand dealing with the meticulous detail, then by all means hire somebody, but most people can learn to format an ebook correctly and once you’ve done it a couple of times it takes about an hour tops.
Because the redirects aren’t working for me, I’m going to assume others might have trouble with these links, so for those who need it the URL for the website to Writer Beware is:
These are not publishers’ guilds, notice; you sometimes see scammers trying to defend themselves against Writer Beware exposes by claiming that they’re “small press” or “indie” and Big Publishing is somehow out to get them – but all of those guilds are run by and for writers, to help support them and represent them in the field. It is the closest writers have to having unions, and there’s no direct competition between them (you could literally be an in any of those guilds are the same time as each other, in addition to others, and I believe a number of authors are).
Writer Beware is a wonderful resource, and I highly recommend it. It’s both a good general guide to the scams people run/red flags to watch out for (such as giving up your copyright entirely as opposed to specific rights, or being charged to publish something or have it edited, when they’re trying to act like they’re a “normal” publisher), and a frequently-updated list of the latest specific known scammers, both in “fake agents” and fake/scammy publishers categories. (The company formerly known as Publish America is one of the most famous and egregious cases, but by far not the only one)
Additionally, for SF and fantasy writers, the SFWA’s own list of qualifying markets that one can be published in as a prerequisite to be able to get into their guild (remember, it IS a profession-based guild), is a great guide to normal markets for those genres that have standard contracts that aren’t abusive or scammy, and their guidelines include some of the industry-standard minimums for “per word” etc rates, so even if some new magazine market isn’t on their list, you can tell if it’s suspiciously far outside the usual per-word or whatnot standards. (It’s likely the guidelines for Mystery Writers of America etc also would be useful in that vein)
Even if you’re unpublished or don’t want to join their guild, they’re a wonderful group and resource, and I highly recommend their site and Writer Beware in particular!
The other sites mentioned above, such as “Preditors and Editors” should be still valid if you Google them, and are often rec’d by Writer Beware, but Writer Beware is the one I’m most familiar with. 🙂
Character design and drawing are tome-sized topics and even if I had all the answers (I don’t – I have a lot to learn), I’m not sure I could communicate them effectively. I’ve gathered some thoughts and ideas here, though, in case they’re helpful.
First, some general things:
– Relax and let some of that anxiety go. This isn’t a hard science. There’s no wrong way, no rigid process you must adhere to, no shoulds or shouldn’ts except those you designate for yourself. This is one of the fun parts of being an artist, really – have a heady good time with it.
– Be patient. A design is something gradually arrived at. It takes time and iteration and revision. You’ll throw a lot of stuff away, and you’ll inevitably get frustrated, but bear in mind the process is both inductive and deductive. Drawing the wrong things is part of the path toward drawing the right thing.
– Learn to draw. It might seem perfunctory to say, but I’m not sure everyone’s on the same page about what this means. Learning to draw isn’t a sort of rote memorization process in which, one by one, you learn a recipe for humans, horses, pokemon, cars, etc. It’s much more about learning to think like an artist, to develop the sort of spacial intelligence that lets you observe and effectively translate to paper, whatever the subject matter. When you’re really learning to draw, you’re learning to draw anything and everything. Observing and sketching trains you to understand dimension, form, gesture, mood, how anatomy works, economy of line; all of the foundational stuff you will also rely on to draw characters from your imagination. Spend some time honing your drawing ability. Hone it with observational sketching. Hone it good.
I don’t think I’ve ever seen anyone do this sort of thing better than Claire Wendling. In fact, character designs emerge almost seamlessly from her gestural sketches. It’d be worth looking her up.
– Gather Inspiration like a crazed magpie. What will ultimately be your trademark style and technique is a sort of snowball accumulation of the various things you expose yourself to, learn and draw influence from. To that effect, Google images, tumblr, pinterest and stock photo sites are your friends. When something tingles your artsy senses – a style, a shape, a texture, an appealing palette, a composition, a pose, a cool looking animal, a unique piece of apparel, whatever – grab it. Looking at a lot of material through a creative lens will make you a better artist the same way reading a lot of material makes a better writer. It’ll also devour your hard drive and you will try and fail many times to organize it, but more importantly, it’ll give you a lovely library of ideas and motivational shinies to peruse as you’re conjuring characters.
– Imitation is a powerful learning tool. Probably for many of us, drawing popular cartoon characters was the gateway habit that lured us into the depraved world of character design to begin with. I wouldn’t suggest limiting yourself to one style or neglecting your own inventions to do this, but it’s an effective way to limber up, to get comfortable drawing characters in general, and to glean something from the thought processes of other artists.
– Use references. Don’t leave it all up to guessing. Whether you’re trying to design something with realistic anatomy or something rather profoundly abstracted from reality, it’s helpful in a multitude of ways to look at pictures. When designing characters, you can infer a lot personality from photos, too.
And despite what you might have heard, having eyeballs and using them to look at things doesn’t constitute cheating. There’s no shame in reference material. There’s at least a little shame in unintentional abstractions, though.
Concepts and Approach:
– Break it down. Sometimes you have the look of a character fleshed out in your mind before putting it to paper, but usually not. That doesn’t mean you have to blow your cortical fuses trying conceive multiple diverse designs all at the same time, though. You don’t even have to design the body shape, poses, face, and expressions of a single character all at once. Tackle it a little at a time.
The cartoony, googly eyed style was pre-established for this simple mobile game character, but I still broke it into phases. Start with concepts, filter out what you like until you arrive at a look, experiment with colors, gestures and expressions.
– Start with the general and work toward the specific. Scribbling out scads of little thumbnails and silhouettes to capture an overall character shape is an effective way begin – it’s like jotting down visual notes. When you’re working at a small scale without agonizing over precision and details, there’s no risk of having to toss out a bunch of hard work, so go nuts with it. Give yourself a lot of options.
Here’s are some sample silhouettes from an old cancelled project in which I was tasked with designing some kind of cyber monkey death bot. I scratched out some solid black shapes then refined some of them a step or two further.
– Shapes are language. They come preloaded with all sorts of biological, cultural and personal connotations. They evoke certain things from us too. If you’re ever stuck about where to go with your design, employ a sort of anthroposcopy along these lines – make a visual free association game out of it. It’ll not only tend to result in a distinguished design, but a design that communicates something about the nature of the character.
Think about what you infer from different shapes. What do they remind you of? What personalities or attitudes come to mind? How does the mood of a soft curve differ from that of a sharp angle? With those attributes attached, how could they be used or incorporated into a body or facial feature shape? What happens when you combine shapes in complementary or contrasting ways? How does changing the weight distribution among a set of shapes affect look and feel? Experiment until a concept starts to resonate with the character you have in mind or until you stumble on something you like.
If you don’t have intent, take the opposite approach – draw some shapes and see where they go. (It’s stupid fun.)
– Cohesion and Style. As you move from thumbnails to more refined drawings, you can start extrapolating details from the general form. Look for defining shapes, emergent themes or patterns and tease them out further, repeat them, mirror them, alternate them. Make the character entirely out of boxy shapes, incorporate multiple elements of an architectural style, use rhythmically varying line weights – there are a million ways to do this
Here’s some of the simple shape repetition I’ve used for Lackadaisy characters.
– Expressions – let them emerge from your design. If your various characters have distinguishing features, the expressions they make with those features will distinguish them further. Allow personality to influence expressions too, or vice versa. Often, a bit of both happens as you continue drawing – physiognomy and personality converge somewhere in the middle.
For instance, Viktor’s head is proportioned a little like a big cat. Befitting his personality, his design lets him make rather bestial expressions. Rocky, with his flair for drama, has a bit more cartoon about him. His expressions are more elastic, his cheeks squish and deform and his big eyebrows push the boundaries of his forehead. Mitzi is gentler all around with altogether fewer lines on her face. The combination of her large sleepy eyes and pencil line brow looked a little sad and a little condescending to me when I began working out her design – ultimately those aspects became incorporated into her personality.
I discuss expression drawing in more detail here (click the image for the link):
– Pose rendering is another one of those things for which observational/gesture drawing comes in handy. Even if you’re essentially scribbling stick figures, you can get a handle on natural looking, communicative poses this way. Stick figure poses make excellent guidelines for plotting out full fledged character drawings too.
Look for the line of action. It’ll be easiest to identify in poses with motions, gestures and moods that are immediately decipherable. When you’ve learned to spot it, you can start reverse engineering your own poses around it.
– Additional resources – here are some related things about drawing poses and constructing characters (click the images for the links).
Lastly…
– Tortured rumination about lack of ability/style/progress is a near universal state of creative affairs. Every artist I have known and worked with falls somewhere on a spectrum between frustration in perpetuity and a shade of fierce contrition Arthur Dimmesdale would be proud of. So, next time you find yourself constructing a scourge out of all those crusty acrylic brushes you failed to clean properly, you loathsome, deluded hack, you, at least remember you’re not alone in feeling that way. When it’s not crushing the will to live out of you, the device does have its uses – it keeps you self-critical and locked in working to improve mode. If we were all quite satisfied with our output, I suppose we’d be out of reasons to try harder next time.
When you need some reassurance, compare old work to new. Evolution is gradual and difficult to perceive if you’re narrowed in on the nearest data point, but if you’ve been steadily working on characters for a few months or a year, you’ll likely see a favorable difference between points A and B.
Most of all, don’t dwell on achieving some sort of endgame in which you’re finally there as a character artist. There’s no such place – wherever you are, there is somewhere else. It’s a moving goal post. Your energy will be better spent just enjoying the process…and that much will show in the results.
Tuesday Tips – “Don’t just stand there!”
A surprisingly simple yet challenging exercise. Try to draw as many standing poses of a simple character. Try not using props or things to lean on. It will make the exercise more fulfilling. Go through your first ideas quickly. Get those out so you can start thinking more specifically about how a character would behave or feel if he/she was cold, impatient, worried, late, hurt, angry, etc. We often forget that the whole body is engaged in expressing a feeling. Also, more technically, it forces you think of weight distribution (makes your poses more solid and believable). As always, stay loose and do it fast to surprise yourself with what you come up with. Norm #grizandnorm #tuesdaytips #100tuesdaytips #dontjuststandthere #tuesdaytipexercise
aka “I’m a 22 year old newb and needed to find some resources”. Here’s what I’ve found so far that has really helped me! Lots of these are youtube tutorials; I find it more helpful to see someone doing it rather than just reading about it.
*Important Note: Some of these brands may or may not be sold in other countries that require animal testing by law in order for the products to be sold, but I don’t have the time to research animal testing laws outside the US as well as what brands sell in those countries. So I’m leaving this one up to you.
Okay, this has been in my drafts for at least 3 months now. Time to roll it out! Keep in mind, these are videos/bloggers that helped me specifically and there may be some videos/links that aren’t as useful to you. That’s okay! I recommend you get lost in the beauty blogger side of youtube at some point, it’s a lot of fun and you never know what you’ll find!
And on a last note of disclaimer: I don’t follow the personal lives/twitter feed/rumors about anyone in these videos. I don’t know if someone is problematic or not, I am simply recommending the video.
wonderful resource for nonbinary/trans people who have a desire to wear makeup, but were never taught because of gross gender roles
Help Me Improve My Art 